Weddings
Every wedding website we make — from intimate ceremonies to royal celebrations.
Palace gates swing open on a classic wedding website — switch between Royal, Minimal, Romantic and Destination in one tap.
Guests connect the stars to open the invitation. A kundli match with 36/36 gunas, tonight's real moon phase, events as orbiting planets and RSVP wishes that become stars.
Your wedding as a Bollywood blockbuster — film-leader countdown, curtains, a Certificate of Love, rolling cast credits, the soundtrack as events, an interval and seat-booking RSVP.
Extra! Extra! A newspaper spins in with breaking headlines, a love-index ticker, events as classified ads, a word jumble and letters-to-the-editor RSVP that stops the press.
A storytelling website. Her red thread and his gold thread follow two lives from birth, almost meet twice, cross, and tie into a gathbandhan knot as you scroll.
A hand-painted Rajput palace. Guests pull a brass temple bell and the dark courtyard slowly lights up, then tap a lotus to bloom it open. Events unroll as painted scrolls and photos hang in swinging jharokha frames.
A painted palace of a thousand mirrors. Guests hold one candle and its light spreads across every mirror in the hall. Mirror glints follow their finger (or the tilt of their phone), events sit in mirror niches and photos hang in mosaic jharokhas.
A dreamy pastel Pichwai painting of Vrindavan. Guests play three notes on a golden flute and the whole lotus pond blooms. The date hides under pastel gulal on a flower swing, events float in on lotus leaves, and the couple's photos sit inside a turning Raas Leela ring.
A painted Ram Mandir in pink sandstone and saffron. Guests circle the aarti thali before the carved temple doors; after two rounds the doors swing open into a golden sanctum and petals fall. The date hides under kumkum, events stand under temple arches, and the close lights up Ayodhya for Deepotsav.
A white-marble Mughal garden of roses, cypress and running water. Guests turn a brass fountain wheel: water fills the long channel, the fountains rise and every rose opens at sunrise. The date hides under rose petals on a marble slab, each event stands in its own marble arch, and the close lights the garden with lanterns. Suits every wedding — Nikah, Hindu, Sikh and more.
A photoreal luxury box in emerald velvet and champagne gold. Guests pull the satin ribbon, lift the lid, the tissue parts and a gold-foil monogram card rises — the foil shines as the phone tilts. The date hides under gift wrap with a gold wax seal that cracks, events arrive as gilded cards, and replies are signed with a fountain pen.
A 1940s royal haveli in old sepia. Guests drag the needle onto a spinning gramophone record — the music starts and colour spreads through the courtyard while the chandelier sways and pigeons take flight. The date hides under vintage postage stamps, the photos develop from sepia into colour, events are railway tickets and replies go out as telegrams.
A full-moon Gujarati wedding on the White Rann of Kutch. Guests drag the moon up from behind a mirror-work bhunga — dusk turns to night and moonlight sweeps across the salt — then open the carved door and step inside. The date hides under white salt, events glow in lippan niches with Kutchi embroidered badges, a decorated camel walks in and kneels, and replies ride away on a camel in an embroidered potli.
Two carved jali screens part to open the invitation. Emerald, ivory and gold arabesque, a Bismillah band, the Nikah card with three taps of “Qubool hai”, and Mangni to Walima in arched cards.
A Lucknowi night. Tap the brass lantern to light it, walk under swaying lamps, read Urdu shayari with roman and English beside it, and find every function hanging from a brass rail.
Quiet luxury for a modern nikah — ivory paper, rose-gold arches that draw themselves, a hand-set invitation paragraph, numbered events and an arch-framed gallery.
A phulkari dupatta lifts to open the invitation. Marigold and magenta embroidery, the four laavan explained round by round, and every function from chunni to langar.
Loud, bright and joyful — tap the dhol to start the baraat, watch it march across the screen, fill the bhangra meter, and read events on truck-art cards.
The midnight jago — a lamp-lit pot glowing in a plum-dark courtyard, giddha boliyan where tapping a line brings the courtyard's answer, and events that glow like lamps.
Two spinning rings of dancers open the invitation. Bandhani dots, mirror-work colour, and a living raas circle where every guest can add their name and take a place in the round.
The traditional kankotri, brought to life — two printed flaps unfold, Shree Ganesh is invoked in Gujarati, kanku thumbprints mark the page, and every function sits on its own card panel.
The antarpat cloth is drawn aside to open the invitation and the akshata rain down. Peshwai green and zari gold, mangalashtak verses with their meaning, and a Shubh Mangal Savdhan moment guests can trigger themselves.
A paithani border woven live on screen — aubergine, peacock green and zari gold, every Marathi ritual explained from sakharpuda to grihapravesh, and events edged in silk.
Sindoor red with white alpona drawn around every section. Betel leaves part to open the invitation, and guests can lower them again for the Shubho Drishti moment.
A wax-sealed envelope opens into sepia letterpress — a Bengali couplet with its translation, three real letters between the couple, and the programme set like a printed page.
Turmeric yellow, marigold garlands and banana-leaf green — with a holud wall where every guest taps to leave a turmeric handprint with their name on it.
A kolam draws itself in gold on kanjeevaram maroon, a temple gopuram rises behind the invitation, and the muhurtham card carries the nakshatram, lagnam and the exact minute.
Off-white kasavu with a gold zari border. Guests light the five wicks of the nilavilakku to enter, and the whole sadhya menu is served on a banana leaf on screen.
Pearls and turmeric rice rain down the screen. Jasmine strands, a 5:40 AM muhurtham, and a talambralu game guests can pour again and again until the aunts start cheering.
The red-and-white gamosa weave, a muga-gold japi and a xorai of tamul-paan that guests tap to accept — with Juron, Tel Diya and Biya Naam explained in Assamese and English.
A quiet tea-estate wedding — drifting mist over the rows, muga and deep green, and the whole day laid out hour by hour from the 6:30 AM mist walk to the late bonfire.
Chinar leaves fall across the whole invitation. A shikara waits on the Dal, wanwun verses open to their meaning at a tap, and the wazwan trami is laid out dish by dish.
A stained-glass window lights up as the invitation opens. Cobalt, ruby and candle gold, a printed order of service with hymns and readings, and the couple's vows set in stone.
Blue azulejo tiles, a coconut pot guests tip to pour the roce blessing, the ceremony explained step by step, and the whole Goan menu from sorpotel to bebinca.
Quiet modern editorial — bone white, blush and one hairline of gold. An hour-by-hour itinerary, a details grid that answers every guest question, and nothing shouting for attention.
Your story starts here
Tell us a little about your celebration. We'll take it from there — usually within the hour.
